Dziga Vertov

Dziga Vertov (born David Abelevich Kaufman) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. The independent, exploratory style of Vertov influenced and inspired many filmmakers and directors. The Dziga Vertov Group borrowed his name. In 1960, Jean Rouch used Vertov's filming theory when making Chronicle of a Summer. His partner Edgar Morin coined Cinéma vérité term when describing the style, using direct translation of Vertov’s KinoPravda. The Free Cinema movement in the United Kingdom during the 1950s, the Direct Cinema in North America in the late 1950s and early 1960s, and the Candid Eye series in Canada in the 1950s, all essentially owed a debt to Vertov. In the 2012 Sight & Sound poll, critics voted Vertov's Man with a Movie Camera (1929) the 8th best film ever made.

Known For

Homepage https://csdfmuseum.ru/names/1-%D0%B4%D0%B7%D0%B8%D0%B3%D0%B0-%D0%B2%D0%B5%D1%80%D1%82%D0%BE%D0%B2
Birth Location Bialystok, Grodno Province, Russian Empire
Born 1896-01-03
Died 1954-02-11

Movies

All Vertovs as (archive footage)
2002
World Without a Game as Archive footage
1966

Movies

2019
Ziv Zero In Memory Of
2017
1942
1942
Three Heroines Screenstory
1938
Three Heroines Director
1938
Lullaby Screenstory
1937
Lullaby Director
1937
1934
Enthusiasm Director
1930
1930
1929
1928
1928
1926
1926
Stride, Soviet! Director
1926
1925
1925
1924
Kino Eye Director
1924
Kino Eye Writer
1924
Soviet Toys Writer
1924
Soviet Toys Director
1924
Kino-Pravda No. 18 Title Designer
1924
1924
1923
Goskinokalendar Director
1923
1923
1923
Give Us Air! Director
1923
1923
1922
1922
1922
1922
1922
1922
1922
1922
1922
1922
1922
1922
The History of the Civil War Original Film Writer
1921
1919
Anniversary of the Revolution Original Film Writer
1918
Kino-week Director
1918