Ma Dong-seok
Nam-san
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Science Fiction
Action
After a deadly earthquake turns Seoul into a lawless badland, a fearless huntsman springs into action to rescue a teenager abducted by a mad doctor.
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| Homepage | https://www.netflix.com/title/81721676 |
|---|---|
| Release Date | 2024-01-25 |
| Runtime | 1h 47m |
| Directors | Heo Myeong-haeng, Byun Bong-sun, Song Hyun-suk |
| Producers | Byun Seung-min, Choi Byeong-hwan, Ma Dong-seok, Choi Won-ki, Choi Su-im |
| Writers | Kim Dong-gyun, Kim Bo-tong, Kwak Jae-min, Ma Dong-seok, Kim Chang-hoon |
The film features some hard-hitting and explosive action sequences that will rightfully cater to fans of the genre. The battle in the basement of the apartment building, where we see Nam-san use a shotgun to blast his way through some of the doctor’s ‘enhanced’ individuals, is a total exhilarating blast. Ma Dong-seok has been a powerhouse for most of his career post Train to Busan, but he sends people flying whenever he throws his fist or pulls the trigger. Badland Hunters also has to break a record for most decapitations in a film.
Full review: https://bit.ly/bdlndhntr
— Chris Sawin
Badland Hunters does some things well, others just passably.
Action is wall to wall and well choreographed.Special effects are excellent. Characterisations are solid if predictable and the acting is not to be sniffed at.
However, the story is unremarkable, with a climax that feels, well, anti climatic.
In summary, an okay but hardly exceptional watch, that would have benefited from more creativity on the storytelling front.
— MovieGuys
"Badland Hunters: A Visually Striking Action Spectacle with Narrative Shortcomings"
In this post-apocalyptic action thriller, Badland Hunters, while suffering from a repetitive and clichéd plot and uninteresting characters, excels in stunning hand-to-hand choreography and scintillating action set pieces. The film benefits greatly from the expertise of its veteran stunt coordinator turned director, known for his work on Train to Busan. Commendable world-building, visionary concepts, and excellent VFX are hindered by conventional writing. The short, crisply edited runtime avoids unnecessary elements. Don Lee's exceptional portrayal of Nam-san, with exhilarating action sequences, overshadows the film's narrative weaknesses, making it a guiltily satisfying popcorn-worthy entertainer, particularly for adrenaline enthusiasts.
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— Ritesh Mohapatra