Kerwin Mathews
Jonathon Standing
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A group of ruthless pirates attack a 17th Century Huguenot settlement on the Isle of Devon in search of treasure and will stop at nothing to obtain it.
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| Release Date | 1962-05-09 |
|---|---|
| Runtime | 1h 27m |
| Directors | John Gilling, Arthur Grant |
| Producers | Michael Carreras, Anthony Nelson Keys |
| Writers | John Hunter, John Gilling, Jimmy Sangster |
I do not count my chickens before I see them, and then I wait until the eggs are hatched out.
Pirates of Blood River is directed by John Gilling and written by Jimmy Sangster. It stars Christopher Lee, Kerwin Matthews, Glenn Corbett, Michael Ripper, Andrew Keir, Oliver Reed, Marla Landi and Peter Arne. Music is by Gary Hughes and cinematography by Arthur Grant.
When Huguenot Jonathan Standish (Matthews) is found guilty of adultery, he is banished from the village and sent to serve hard labour at the penal colony. However, managing to escape, Jonathan is captured by pirates led by Captain LaRoche (Lee) and forced to lead the pirates back to his home village, where, LaRoche is convinced valuable treasure is hidden.
One of Hammer Film Productions pirate ventures, Pirates of Blood River is landlocked but still a whole bunch of piratical fun. Sangster's screenplay dangles interesting carrots that aren't fully unearthed, such as the religious fervour holding the Huguenot village in its grip, and questions of main character's pasts are left unanswered, but cast are very spirited and Gilling, in spite of being brought in late and being a pain in the ass, crafts a fast paced picture of excitement and tension. The small budget and absence of a ship and seafaring malarkey is barely noticed, though this place of plunder doesn't look much like a tropical island. There's good action, especially for the "big" battle at the finale, while it's good to see low cost effects, such as a piranha attack simulated by ripples on the water, actually be very effective for dramatic purpose. Blindfold duelling, too, always a bonus.
Plenty of beards, jolly roger speak, bodily abuse and guerrilla warfare, enough in fact to lift it above its obvious flaws. 7/10
— John Chard