Melanie Hyams
Self - Narrator (voice)
Similar Movies
Documentary
The past collides with the present in this excavation of the Nazi occupation of Amsterdam: a journey from World War II to recent years of pandemic and protest and a provocative, life-affirming reflection on memory, time and what's to come.
Top Billed Cast
| Homepage | https://a24films.com/docs/occupied-city |
|---|---|
| Release Date | 2023-11-30 |
| Runtime | 4h 26m |
| Directors | Steve McQueen, Lennert Hillege, Koen van der Knaap |
| Producers | Clea de Koning, Floor Onrust, Steve McQueen, Arnon Milchan, Yariv Milchan, Michael Schaefer, Ben Cotner, Adriana Banta, Ollie Madden, Daniel Battsek, Emily Osborne, Bianca Stigter, Ben Coren, Barbara Truyen, Joost Janmaat, Susan Dolan, Natalie Lehmann, Noortje Wilschut, Anna Smith Tenser, Sophie van Caenegem |
| Writers | Bianca Stigter, Bianca Stigter |
EXT. IT BELONGS IN A MUSEUM - DAY
Occupied City is redefining the 'Documentary' genre. This film is a series of stories passed onto Steve McQueen, now passing them onto us. It narrates those stories whilst giving us a glimpse into the current affairs in Amsterdam. This pure juxtaposition shows how far we have come yet how quickly we can turn back. The reason I've titled this review "It's Belongs in A Museum" is not because I have a ticket for the new Indiana Jones film here at Cannes (but it has little to do with that). This film isn't something to watch during a visit to the cinema; it should be on display somewhere, a four-and-a-half-hour loop of each moment, story, fact and stunning cinematography that this film has to offer.
Suppose I explain why I'm so optimistic about this film yet only giving it 3.5 stars. In that case, it's because, as a film, anything more than 4 hours without a narrative flow is a complicated watch. Still, as I said, this belongs in a museum or an art gallery on display for you to sit and watch for a moment; when you're ready, you can leave but come back anytime. Yet I was in a cinema for more than 4 hours. This film would still be compelling at 2 hours long, yet McQueen leaves nothing on the cutting room floor. There were moments in which I wanted it to be over, but then another story or particular shot would drag me back in. But within this film, there is a tighter, more cohesive narrative where the simpler/less impactful stories are excluded. But it seems that McQueen wanted a leg in the race for the longest film of the Decade award.
Overall, if you can watch this film, maybe not in cinemas but divide it up over four nights, giving you enough time to take in each story this film presents.
FADE OUT.
Added Shout out: Thanks, Mr McQueen, for giving us an intermission; long, long films need to start having these baked in.
— Lachlan Thiele