Lon Chaney
Alonzo
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A criminal on the run hides in a circus and seeks to possess the daughter of the ringmaster at any cost.
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| Release Date | 1927-05-29 |
|---|---|
| Runtime | 1h 8m |
| Directors | Tod Browning, Merritt B. Gerstad, Harry Sharrock |
| Producer | Irving Thalberg |
| Writers | Mary Roberts Rinehart, Waldemar Young, Joseph Farnham, Tod Browning |
Joan Crawford is the dazzling "Manon", daughter of a circus owner and keenly sought by strongman "Malabar" (Norman Kerry) and the newly arrived arm-less knife thrower "Alonzo" (Lon Chaney). It's the latter man who has a bit of a secret though, and as the story progresses we realise that he's a criminal using a clever (if not desperately plausible) disguise to stay one head ahead of the pursuing police. She, meantime, is fed up being pawed and ogled at by men in general and "Alonzo" - being unable to touch her, plays on that increasing phobia hoping she will choose him. Her father "Zanzi" (Nick De Ruiz) violently comes a cropper suddenly and his daughter sees the crime, not the criminal. Distraught, she turns to "Malabar" whilst "Alonzo" decides that he must now make a pretty significant sacrifice if he is to get the girl and avoid the noose. I did really quite enjoy this. The expressive Chaney is on super form as the menacing knifester and there is plenty of meat on the bones of a plot that creates a few characters about whom you could actually care. The denouement with the strongman and horses is maybe a little strung out, but it's still a fitting end to a love triangle that dwells little on slushy sentiment and more on the nastiness of the scheming antagonist and his sidekick "Cojo" (John George). Crawford certainly comes across as a woman they'd want to fight over, too!
— CinemaSerf