Mel Gibson
Fletcher Christian
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The familiar story of Lieutenant Bligh, whose cruelty leads to a mutiny on his ship. This version follows both the efforts of Fletcher Christian to get his men beyond the reach of British retribution, and the epic voyage of Lieutenant Bligh to get his loyalists safely to East Timor in a tiny lifeboat.
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| Release Date | 1984-05-04 |
|---|---|
| Runtime | 2h 12m |
| Directors | Roger Donaldson, Arthur Ibbetson, David Tringham, Michael Stevenson, Debbie Vertue, Michael Boone, Ben Teriitehau |
| Producers | Dino De Laurentiis, Bernard Williams, Dino De Laurentiis |
| Writers | Robert Bolt, Richard Hough |
When you already have a definitive version of a story on film (1935) it's always tough to remake it successfully. To be fair to Roger Donaldson, he has managed to come pretty close - and do far better than the 1962 iteration - with this well cast telling of a story of mutiny and brutality. It's told by way of a retrospective as Lord Hood (Lord Olivier) conducts an investigation into what happened aboard the ill-fated ship. Anthony Hopkins is the disciplinarian Lt. Bligh in charge of the glorified freighter "HMS Bounty" which is charged with heading to Tahiti to secure breadfruit trees that can be used to feed the slaves by the colonies in the West Indies. His second-in-command is the no-nonsense but eminently more fair Fletcher Christian (a competent effort from Mel Gibson) and as our journey progresses, the film takes it's time to develop the gradually building toxicity of that relationship as the former man treats the crew with scant humanity. After a great many trials and tribulations, their relationship is all but shot when they arrive at their destination and we know that the writing is on the wall for Bligh. Unlike the other "Bounty" films, this one spends a bit more time presenting the epic and perilous open-boat journey undertaken by the dispossessed - the high seas, the cannibals, the shortages - and Hopkins holds that together really well. This man may have been an inhumane individual, but he was no mean sailor too. The cinematography is top drawer, well complemented by Vangelis' score and Robert Bolt's adaptation of the story that keeps the dialogue tight and potent - especially from Hopkins. Not quite Laughton and Gable, but then...
— CinemaSerf