James Garner
Pete Aron
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The most daring drivers in the world have gathered to compete for the 1966 Formula One championship. After a spectacular wreck in the first of a series of races, American wheelman Pete Aron is dropped by his sponsor. Refusing to quit, he joins a Japanese racing team. While juggling his career with a torrid love affair involving an ex-teammate's wife, Pete must also contend with Jean-Pierre Sarti, a French contestant who has previously won two world titles.
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| Release Date | 1966-12-21 |
|---|---|
| Runtime | 2h 56m |
| Directors | John Frankenheimer, Lionel Lindon, Enrico Isacco, Stephan Iscovescu, Sam Itzkovitch, Roger Simons, Lindsey C. Vickers, Michael Jeffrey Adelman |
| Producers | James Garner, John Frankenheimer, Kirk Douglas, Edward Lewis |
| Writers | Robert Alan Aurthur, John Frankenheimer |
Frankenheimer's F1 Epic is Grand in Itself.
In truth the plot of Grand Prix is pretty wafer thin, with not enough story to fully justify the gargantuan run time, yet it's both thrilling and fascinating all the same. Plot essentially centers around the 1966 Formula 1 motor racing championship, with James Garner, Yves Montand, Brian Bedford, Eva Marie Saint and Toshiro Mifune heading up the large ensemble cast list. It deals with the trials and tribulations of the drivers, both on and off the track.
The human drama is a bit soapy, of which there is much, yet these narrative characterisations help to make us care and understand the protagonists at the core of the story. And of course when the drivers are out there on the track, we know their psychological make-ups, their driving mirroring their motives and emotional fortitude.
The racing segments are superbly filmed by Frankenheimer, with multi-angles used to maximise the experience, while he also uses split screen sections to fully immerse us with the key characters. Two crash sequences are genuinely heart stopping, filmed with a clarity that makes us realise that people actually do die in this sport. While the sound work and editing is quite simply stunning.
See it on the biggest screen you can, and for home formats get the best possible disc available. 8/10
— John Chard