Pollock 2000

A true portrait of life and art.

6.667 / 10   294 vote(s)
R
Drama

In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew." As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.

Release Date 2000-09-06
Runtime 2h 2m
Directors Ed Harris, Lisa Rinzler
Producers Fred Berner, Jon Kilik, James Francis Trezza, Peter Brant, Ed Harris, Cecilia Kate Roque, Heiner Bastian, Joseph Allen, Candy Trabuco
Writers Steven Naifeh, Barbara Turner, Susan Emshwiller, Gregory White Smith

Downer biography starts weak, but becomes, um, artistic… and moving

Abstract expressionist Jackson Pollock (Ed Harris) is a struggling artist in New York City in the early 40s when he meets his future wife Lee Krasner, a fellow artist (Marcia Gay Harden). They move to the far end of Long Island where he finally catches a break, but alcoholism threatens his life. Jennifer Connelly shows up in the last act.

“Pollock” (2000) is an honest biography covering the final fifteen years of the artist’s life from 1941-1956. It was a long-term passion for director/star Ed Harris to bring to the screen.

The film starts weak with Pollock being portrayed as a troubled artistic weirdo. While I have no doubt that this is true-to-life, the opening act fails to capture the attention of the viewer. What’s worse, there’s an unintentionally amusing scene reminiscent of the Seinfeld episode "The Visa" where Jerry pretends to be morose and disturbed, which unexpectedly turns on George’s Asian girlfriend. This “meh” opening is probably why the film failed at the box office.

Thankfully, the story perks up when the couple moves to a remote area on Long Island. At one point a journalist asks Pollock how he knows when he’s finished with a painting. He insightfully responds, “How do you know when you're finished making love?” This showed that Jackson loved his work and equated creating art to making love. He was a troubled soul, very much so, but painting was his escape, his bliss. It was Pollock’s area of genius and, indeed, his peculiar art is stunning and somehow aesthetically pleasing. I was so moved I wept.

Unfortunately, alcohol was his downfall.

If you don’t mind downer biographies of artists, like “The Doors” (1991) and “Big Sur” (2013), check this one out. There are inspiring moments amidst the melancholy.

The movie runs 2 hours, 2 minutes and was shot in New York City and East Hampton, Long Island. ADDITIONAL CAST: Jeffrey Tambor, Bud Cork, Val Kilmer and John Heard.

GRADE: B

Wuchak