Dorothy Dandridge
Carmen Jones
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The tale of the cigarette-maker Carmen and the Spanish cavalry soldier Don Jose is translated into a modern-day story of a parachute factory worker and a stalwart GI named Joe who is about to go to flying school. Conflict arises when a prize-ring champ captures the heart of Carmen after she has seduced Joe and caused him to go AWOL.
Top Billed Cast
| Release Date | 1954-10-28 |
|---|---|
| Runtime | 1h 45m |
| Directors | Otto Preminger, Herschel Burke Gilbert, Sam Leavitt, Ted Dale, David Silver |
| Producer | Otto Preminger |
| Writers | Harry Kleiner, Oscar Hammerstein II, Oscar Hammerstein II |
To be frank, I struggled with this... Dorothy Dandridge is superb and both she and Harry Belafonte belt out Oscar Hammerstein II's lyrical adaptations of George Bizet's rousing comic opera tunefully; but not particularly stylishly. That may have been down to the relocation of the story from elegant 19th Century Seville to gritty 20th century North Carolina via which it loses much of the vigour and vibrancy of the original story. Instead, it depicts more of a tale of the aspirational grind of African Americans against poverty and oppression and so I found that rather hijacked the original sentiment, somewhat. The narrative is also, frequently, very disjointed. It was never meant to be a straightforward love story: "Carmen" isn't actually a very nice woman - and her noble lover "Joe" is really just a means to an end for her, leaving his fiancée "Cindy Lou" (Olga James) left high and dry in what is, essentially, a rather sad love triangle. Otto Preminger certainly went out on a limb with it - the extent to which 1950s America was ready for this was very much a gamble; but that doesn't make the film better than it actually is - a wonderfully erudite comment on social mobility and love in America that uses Bizet as it's vehicle; nothing more nothing less...
— CinemaSerf